Local Audience Propels Home‑Made Horror to Box‑Office Lead
During the Halloween weekend, the Cypriot gothic thriller Motherwitch claimed the top spot at the domestic box office, surpassing the U.S. production Clayface. The film’s strong ticket sales prompted cinema operators to prolong its theatrical run until 11 November, with additional screenings at the Premier cinema in Nicosia Mall and the Rio complex in Limassol.
Production Background and Funding
Motherwitch is a co‑production between Cyprus, the United States and North Macedonia, financed with a €1.7 million budget. The project received support from the Deputy Ministry of Culture of Cyprus and the Film Agency of North Macedonia, underscoring the island’s growing capacity to fund high‑quality audiovisual content.
Critical Reception and Cultural Impact
Director Minos Papas’s vision was praised for its production values, authentic 19th‑century Cypriot settings and the cast’s compelling performances. Notably, the film employs an older variant of the Cypriot dialect, offering audiences a rare auditory glimpse into the island’s linguistic heritage. Reviewers highlighted the film’s ability to fuse local folklore—specifically the demonic “kalikantzari”—with universal horror themes.
International Recognition
- Lead actress Margarita Zachariou won the Best Actress Award at the Grimmfest Film Festival in Manchester, with the jury citing her “raw, operatic portrayal of maternal grief.”
- The film will screen at the Thessaloniki International Film Festival on 6 November as part of the Balkan Horrors programme, accompanied by director Papas and producer Constantinos Nikiforou.
- Eight Polish cities hosted Halloween screenings through the Multikino chain, expanding the film’s reach in Central Europe.
Festival Circuit and Future Prospects
After its world premiere at the International Film Festival Rotterdam (IFFR) in February, Motherwitch has featured in more than 20 festivals worldwide, including a special presentation at Cyprus Film Days in April. The continued momentum suggests a robust export potential for Cypriot cultural products, aligning with broader strategies to diversify the island’s trade portfolio beyond traditional shipping and logistics.
For stakeholders in the maritime and logistics sectors, the film’s distribution chain—spanning freight of equipment, promotional materials and crew movements—illustrates ancillary opportunities for port services and cargo handling linked to the creative industries.

